Kathereiner´s Morning Wood by Sigmar Polke, 1969, Guggenheim Museum
Size: 230x310 cmMedium: Acrylic, wood, mixed media, framed collage on canvas and fabric
Guggenheim Bilbao Museoa © 2012 Artist’s Rights Society (ARS), New York/VG Bild-Kunst, Bonn
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on Saatchi Art, artist on tumblr
Mixed media on paper (collage and acrylic)
Young italian painter living in Como. Above all I wanted to see if I was able to convey emotions, feelings on canvas. The only constant has always been the subject of my work, the human figure, which is the only thing that interested me until now, and my colour palette has always been limited by choice and taste. At first I tried to paint subjects as close as possible to reality, then I started to disfigure, to deform, to follow my instincts more. I realized that the more you try to escape the harsh and cruel reality the more you fall. I try to express loneliness, frustration, restlessness, a constant search for “something
Scanned a load of stuff and have been putting together a sort of look-book for myself to inspire me to keep making cool gothic things. collage, pencil drawing, lino printed knife patch by me, and the photo in the last picture is by Yelena Yemchuk for the summer 2015 issue of Dazed magazine.
From a special edition of 15 copies of Frank O'Hara’s Meditations In An Emergency (1957), which included an original drawing/collage by Grace Hartigan.
via Yale Library
Mz 163 with Woman, Spraying by Kurt Schwitters, 1920, Guggenheim Museum
Solomon R. Guggenheim Museum, New York Gift, Estate of Katherine S. Dreier, 1953 © 2016 Artists Rights Society (ARS), New York / VG Bild-Kunst, BonnMedium: Colored and printed paper and fabric collage with cardstock border
now’s the time (pachacuti) by William Cordova, 2009, Guggenheim Museum
Size: 128.6x78.4 cmMedium: Graphite, gold leaf, oil stick, dust, hair, watercolor, and metallic ink with photomechanical and inkjet printed collage on paper
Solomon R. Guggenheim Museum, New York Purchased with funds contributed by the Young Collectors Council, 2009 © William Cordova